| The method I am about to tell you is supposed to | | | | attacker. This means you are going to have to slip to |
| have been created by the Little Dragon, Bruce Lee, | | | | the side or just downright stop him. You are going to |
| though I don't know whether it was ever included in his | | | | have to take advantage of his tendency to over |
| Jeet Kune Do teachings. It was supposedly taught by | | | | reach and develop a strategy which negates him, |
| Bruce to Karate fighter Joe Lewis, who became one | | | | which slips his aggressiveness. |
| of the fiercest Karate fighters to ever enter the ring. | | | | If the fighter makes as if he is going to block, then he is |
| Joe Lewis is supposed to have relayed the method to | | | | not going anywhere. This means he is going to stay |
| various Kenpo schools, where it was used by Ed | | | | where he is and face you, and you are going to have |
| Parker, and eventually disappeared from view. | | | | to penetrate him. You are going to have to develop a |
| This method will work, it will tell you what kind of a | | | | strategy which interchanges overwhelming with darting, |
| fighter you are about to fight, and help you create a | | | | or whatever else it takes to penetrate his shields. |
| strategy to fight that fighter. However, there is a glaring | | | | These three observable combat tendencies are |
| weakness in inside this method, and, there is a glaring | | | | excellent for establishing a structure within the chaos |
| weakness in the fact of the method. Still, it is an | | | | of combat, and highly usable. However, the glaring |
| important tool to have and be able to use if you are | | | | weakness of the method became obvious the first |
| going to develop as a real mixed martial artist fighter. | | | | time somebody tried to use it on me. The fellow faked, |
| When you face off towards a fighter, make a feinting | | | | and I moved with him, but did not flee nor charge, |
| motion and watch what happens. Before we analyze | | | | merely duplicated his motion such as it was. |
| what that feint causes, consider the weakness of this | | | | I knew his motion wasn't real, and I was interested in |
| movement. A feint is not a real motion, and while | | | | matching what he was doing, mirroring his actions, and |
| you're feinting he might go real on you. | | | | finding a real time solution. Checking the way a fellow |
| If the fighter backs up, he is a runner. This means that | | | | reacts to something is not in real time, it is in fake time. |
| you are going to have to track him down. You are | | | | Thus, this method falls apart when somebody is not |
| going to have to develop a strategy which cuts him | | | | reacting, but moving in real time, is letting The True Art |
| off, backs him into a corner, and sets him up for the kill. | | | | move him and detail his responses. |
| If the fighter charges you, then he is an aggressive | | | | |